Hayley Barker 
Born in Oregon, 1973 
Lives in Los Angeles, CA 
MA & MFA 2001, Intermedia, University of Iowa, IA 
BA 1996 Fine Arts, Art, University of Oregon, OR 
Selected Reviews:  
3/2019: “In SoCal, Artists Foster Roving, Alternative Spaces in Face of Change,” Jennifer Remenchik,  Hyperallergic
7/2/18: "take care," Artforum Critic's Pick, Arshy Azizi, Artforum Online
6/16/18: "Curator Ceci Moss on 'Take Care" at Gas Gallery," Emily Wells, Artillery
5/16/18: "Barry Schwabsky and 'The Divine Joke," Two Coats of Paint
4/17/18: "Where to find fantastic beasts? At Big Pictures Los Angeles' 'Airtight Garage.' David Pagels, LA Times 
4/2018: “The Divine Joke,” Exhibition Essay, Barry Schwabsky, Anita Rogers Gallery, New York, NY
2/12/18: "Spirit Bodies: on the work of Hayley Barker," Jennifer Remenchik, CurateLA Blog 
2/2018: Feature Review of "AMPM," Richard Speer, Visual Art Source Online 
8/16/2017: “Goddess Ghosts,” Catherine Wagley, LA Weekly  
WI/SP 2015: “Artists Make Good Theologians,” Sarah Sentilles, Harvard Divinity Bulletin  
5/12/2014: "Apparition Hill" Review, John Motley, The Oregonian   
5/11/2014: Visual Art Source Editorial Feature: Apparition Hill", Richard Speer, Visual Art Source   
4.28.2014: "The Longing to See: Hayley Barker’s 'Apparition Hill'", Sarah Sentilles, Oregon Arts Watch  
10/2011: Review of “Cathedrals,” Sue Taylor, Art in America  
6/2/2011: “Extolling Nature’s Cathedrals,” John Motley, Oregonian A&E  
Upcoming Exhibitions/Projects: 
10/2019: Solo exhibition, Bozo Mag Highland Park, Los Angeles, CA

Selected Solo Exhibitions:  
2/2018: "Open Studio / 13 Paintings," Bozo Mag West Adams, Los Angeles
1/2018: "AMPM," Williamson Knight, Portland, OR 
7/2017: "New Paintings, Bozo Mag at Abode," Abode, Los Angeles
4/2016: "PLANTS BODIES STARS," Luis De Jesus, Culver City, CA 
5/2014: "Apparition Hill," Charles A. Hartman Fine Art, Portland 
6/2011: “Cathedrals,” Charles A. Hartman Fine Art, Portland
Selected Group Exhibitions: 
4/2019: "The Devil's Harp," Flowers, Oakland, CA
3/2019: Barker Hanger, Other Places Art Fair, San Pedro, CA
1/2019: Now(n), Tiger Strikes Asteroid, Chicago, IL
10/2018: Sexy Beast Auction for Planned Parenthood, Curated by Night Gallery, Los Angeles
8/2018: “The Art Den,” A collaboration between the Barker Hanger & Odd Ark LA, Odd Ark, Los Angeles
7/2018: "Burchfield's Influence," Sun Valley Center for the Arts, Sun Valley, ID 
7/2018: "Good Smoke, Good Poke" 0-0, Los Angeles
6-8/2018: "Take Care," Gas, Los Angeles
5/2018: The Glendale Biennial, Curated by The Pit at the Brand Library, Glendale, CA 
5/2018: "Plus 1," Anytime Dept., Cincinnati, OH
4/2018: "The Divine Joke," Curated by Barry Schwabsky, Anita Rogers Gallery, New York, NY 
3/2018: "The Airtight Garage," Big Pictures LA, Los Angeles
2/2018: "Binder of Women" Otherwild, Los Angeles
1/2018: "It's OK," Charlie James Gallery, Los Angeles
12/2017: Binder of Women Release Party & Show, The Pit, Glendale, CA 
5/2017: "The Upside of Her Hell," Bozo Mag, Beverly Hills, CA 
4/2017: "the Goddess Show," Rainmaker Gallery, Portland  
2/2017: "No-Place," Gallery Protocal, Gainesville, FL 
3/2017: "Now Burning," Border Patrol, Portland, Maine 
2/2017: "Animal Farm," Dalton Warehouse, Los Angeles
11/2016: "Women on the Fence," Mothership Festival, Desert Hot Springs, CA 
5/2016: "A Space Born," Egyptian Art & Antiques, Beverly Hills, CA 
2/2016: "Rob Pruitt's Flea Market," Los Angeles
5/2018:  Residency, Gas, Los Angeles
2013: Caldera Artist in Residence 
2013: Regional Arts and Culture Council Project Grant 
2012: Contemporary Northwest Art Awards Nominee, Portland Art Museum 
Selected Bibliography: 
3/2018: Full Blede Issue 4: The Pattern, Edited by Sacha Baumann 
1/2018:"Vintage Self Help," 2nd edition, Zine, Published in collaboration with Williamson Knight & Boz Mag, Designed and printed by Shiela Laufer, Egg Press, Portland, OR 
12/2017: "BEDDRAWINGS: DARK GODDESSES QUEENS SWAMP THINGS," Zine, Self-published, Designed and edited by Antonia Pinter 
5/2017: "Vintage Self Help," 1st edition, book of short essays, Edited by Katie Ford, Published by Cherry & Lucic, Designed and printed by Sammie Cetta, Portland  
12/2014: Jay DeFeo Trust Guest Commentary, Blog 
10/2013: “On Seeing The Rose in Person for the First Time (March 2013),” Essay, ON IMAGES, a  blog by Sarah Sentilles 
12/2008: New American Paintings Magazine, Pacific Coast Edition, Paintings
6/2005: "The Attractive Salve,” Essay in book published by University of Dortmund Press, "INTERMEDIA: Enacting the Liminal," edited by Hans Breder
1% for the Arts, Oregon State University, Corvallis, OR 
University of Iowa Museum of Art, Iowa City, IA